This work explores simulation theory and the fragility of ordinary life — asking what it would look like if reality briefly failed, and something from the past suddenly reappeared where it once stood.

These ideas are realised through a hybrid process: compositions are first sketched as thumbnails, then constructed and lit as three-dimensional scenes in Blender, before being painted in oil on wooden panel. His current series, Glitch, extends this enquiry across multiple works, each presenting a different moment of quiet, unexplained disruption.